<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[St. Xavier's University Library Search for 'su:&quot;Motion Pictures&quot;']]> </title> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Motion%20Pictures%22&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Motion%20Pictures%22&#38;sort_by=relevance&#38;format=rss"/> <description> <![CDATA[ Search results for 'su:&quot;Motion Pictures&quot;' at St. Xavier's University Library]]> </description> <opensearch:totalResults>71</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Motion%20Pictures%22&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522Motion%2520Pictures%2522" startPage="" /> <item> <title> Movies and methods </title> <dc:identifier>ISBN:8170461111</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=488</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/8170461111.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> Calcutta Naveen Kishore seagull books private limited 1976 .<br /> 640 , Includes index 8170461111 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=488">Place hold on <em>Movies and methods</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=488</guid> </item> <item> <title> (The) most memorable films of the world : from the diaries of the film society </title> <dc:identifier>ISBN:9788172865863</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=489</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/8172865864.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Rao, H. N. Narahari.<br /> India Prism books Pvt. Ltd. 2009 .<br /> 308 9788172865863 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=489">Place hold on <em>(The) most memorable films of the world</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=489</guid> </item> <item> <title> Theorizing the moving image </title> <dc:identifier>ISBN:9780521466073</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=490</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0521466075.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Carroll, Noel.<br /> New York Cambridge university press 1996 .<br /> 426 , Includes index 9780521466073 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=490">Place hold on <em>Theorizing the moving image</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=490</guid> </item> <item> <title> A certain tendency of the Hollywood cinema, 1930-1980 </title> <dc:identifier>ISBN:0691047278 | 0691101744 (pbk.) :</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=751</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0691047278.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Ray, Robert B..<br /> Princeton, N.J. Princeton University Press 1985 .<br /> x, 411 p. , Includes index. 25 cm..<br /> 0691047278 | 0691101744 (pbk.) : </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=751">Place hold on <em>A certain tendency of the Hollywood cinema, 1930-1980 </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=751</guid> </item> <item> <title> An Introduction to film studies / </title> <dc:identifier>ISBN:0415173094 | 0415173108 </dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=760</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0415173094.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> London | New York Routledge, 1999 .<br /> 522 p. 26 cm..<br /> 0415173094 | 0415173108 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=760">Place hold on <em>An Introduction to film studies /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=760</guid> </item> <item> <title> An Introduction to film studies </title> <dc:identifier>ISBN:0415108594 | 0415108608 </dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=762</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0415108594.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> London | New York Routledge, 1996 .<br /> 462 p. : 25 cm..<br /> 0415108594 | 0415108608 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=762">Place hold on <em>An Introduction to film studies </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=762</guid> </item> <item> <title> How to read a film the world of movies, media, and multimedia : language, history, theory / </title> <dc:identifier>ISBN:019513981X | 019503869X (pbk.)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=763</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/019513981X.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Monaco, James.<br /> New York : Oxford University Press, 2000 .<br /> 672 p. 24 cm..<br /> 019513981X | 019503869X (pbk.) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=763">Place hold on <em>How to read a film </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=763</guid> </item> <item> <title> Encyclopaedia of Hindi cinema / </title> <dc:identifier>ISBN:8179910660</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=769</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/8179910660.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> New Delhi : Encyclopaedia Britannica (India) Pvt. Ltd., 2003 .<br /> xix, 659 p. , Includes indexes. 29 cm..<br /> 8179910660 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=769">Place hold on <em>Encyclopaedia of Hindi cinema /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=769</guid> </item> <item> <title> Women's pictures : feminism and cinema </title> <dc:identifier>ISBN:1859840108</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=773</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1859840108.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Kuhn, Annette..<br /> London ; | New York Verso, 1994 .<br /> xiv, 285 p. 23 cm..<br /> 1859840108 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=773">Place hold on <em>Women's pictures :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=773</guid> </item> <item> <title> Another cinema for another society </title> <dc:identifier>ISBN:0861320751 </dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=774</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0861320751.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Roberge, Gaston,.<br /> Kolkata Seagull Books, 1984 .<br /> 151 p., [14] p. of plates 23 cm..<br /> 0861320751 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=774">Place hold on <em>Another cinema for another society </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=774</guid> </item> <item> <title> The ways of film studies film theory &amp; the interpretation of films </title> <dc:identifier>ISBN:8120203488</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=776</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/8120203488.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Roberge, Gaston,.<br /> Delhi Ajanta Publications, 1992 .<br /> 233 p. , Includes index. 22 cm..<br /> 8120203488 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=776">Place hold on <em>The ways of film studies </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=776</guid> </item> <item> <title> Beyond the boundaries of Bollywood : the many forms of Hindi cinema </title> <dc:identifier>ISBN:9780198069263 | 019806926X</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=779</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/019806926X.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> New Delhi Oxford University Press 2011 .<br /> xx, 280 pages ; 23 cm..<br /> 9780198069263 | 019806926X </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=779">Place hold on <em>Beyond the boundaries of Bollywood </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=779</guid> </item> <item> <title> The subject of cinema </title> <dc:identifier>ISBN:8170460557</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=783</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/8170460557.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Roberge, Gaston.<br /> Calcutta Seagull Books 2005 .<br /> xv, 259 p., [33] p. of plates : , Reprint. Originally published: Calcutta : Seagull Books, 1990. 23 cm..<br /> 8170460557 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=783">Place hold on <em>The subject of cinema </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=783</guid> </item> <item> <title> Statistical approach to the aesthetic communication of a narrative film : with special reference to the film 'Charulata' </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=784</link> <description> <![CDATA[ <p> By Chakraborty, Subhash Chandra.<br /> Kolkata Bitorka 2005 .<br /> 200 23 cm..<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=784">Place hold on <em>Statistical approach to the aesthetic communication of a narrative film </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=784</guid> </item> <item> <title> Statistical approach to the aesthetic communication of a narrative film : with special reference to the film 'Charulata' </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=786</link> <description> <![CDATA[ <p> By Chakraborty, Subhash Chandra.<br /> Kolkata Bitorka 2008 .<br /> 269 23 cm..<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=786">Place hold on <em>Statistical approach to the aesthetic communication of a narrative film </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=786</guid> </item> <item> <title> Contemporary French cinema : an introduction </title> <dc:identifier>ISBN:9780719078293 </dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=789</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0719078296.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Austin, Guy..<br /> Manchester | New York Manchester University Press | Distributed exclusively in the USA by St. Martin's Press, 2008 .<br /> 254 p. 24 cm..<br /> 9780719078293 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=789">Place hold on <em>Contemporary French cinema :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=789</guid> </item> <item> <title> How to read a film the world of movies, media, and multimedia : language, history, theory / </title> <dc:identifier>ISBN:019513981X | 019503869X (pbk.)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=792</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/019513981X.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Monaco, James..<br /> New York : Oxford University Press, 2000 .<br /> 672 p. 24 cm..<br /> 019513981X | 019503869X (pbk.) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=792">Place hold on <em>How to read a film</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=792</guid> </item> <item> <title> Muslim culture in Indian cinema </title> <dc:identifier>ISBN:9788131604687</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=794</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/8131604683.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> Jaipur Rawat Publications 2011 .<br /> 228 , Includes index 22 cm..<br /> 9788131604687 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=794">Place hold on <em>Muslim culture in Indian cinema </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=794</guid> </item> <item> <title> The subject of cinema </title> <dc:identifier>ISBN:8170460557</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=801</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/8170460557.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Roberge, Gaston.<br /> Calcutta : Seagull Books, 2005 .<br /> 259 p. , Reprint. Originally published: Calcutta : Seagull Books, 1990. 23 cm..<br /> 8170460557 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=801">Place hold on <em>The subject of cinema </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=801</guid> </item> <item> <title> Hollywood renaissance : the cinema of democracy in the era of Ford, Capra, and Kazan / </title> <dc:identifier>ISBN:9780521625524</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=803</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0521625521.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Girgus, Sam B..<br /> Cambridge [England] ; | New York : Cambridge University Press, 1998 .<br /> 258 p. 24 cm..<br /> 9780521625524 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=803">Place hold on <em>Hollywood renaissance :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=803</guid> </item> <item> <title> How to read a film : movies, media, and beyond : art, technology, language, history, theory / </title> <dc:identifier>ISBN:9780195321050 (pbk. : acidfree paper)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=807</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0195321057.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Monaco, James..<br /> Oxford ; | New York : Oxford University Press, 2009 .<br /> 729 p. : 24 cm..<br /> 9780195321050 (pbk. : acidfree paper) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=807">Place hold on <em>How to read a film </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=807</guid> </item> <item> <title> Film theory and criticism : introductory readings </title> <dc:identifier>ISBN:9780195105988</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=808</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0195105982.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> New York : Oxford University Press, 1999 .<br /> 861 p. , Includes index 24 cm..<br /> 9780195105988 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=808">Place hold on <em>Film theory and criticism :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=808</guid> </item> <item> <title> Cinema today </title> <dc:identifier>ISBN:0714840815</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=810</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0714840815.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Buscombe, Edward..<br /> London ; | New York : Phaidon, 2003 .<br /> 512 p. , Includes bibliography 30 cm..<br /> 0714840815 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=810">Place hold on <em>Cinema today </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=810</guid> </item> <item> <title> The SAGE handbook of film studies / </title> <dc:identifier>ISBN:9780761943266 </dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=817</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0761943269.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> London ; | Thousand Oaks, Calif. : SAGE, 2008 .<br /> 522 p. , Includes index 26 cm..<br /> 9780761943266 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=817">Place hold on <em>The SAGE handbook of film studies /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=817</guid> </item> <item> <title> Pre-production planning for video, film, and multimedia / </title> <dc:identifier>ISBN:9780240802718</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=822</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0240802713.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Cartwright, Steve R.<br /> Boston : Focal Press, 1996 .<br /> 229 p. , Includes index. 28 cm. .<br /> 9780240802718 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=822">Place hold on <em>Pre-production planning for video, film, and multimedia /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=822</guid> </item> <item> <title> (The) Movie brats </title> <dc:identifier>ISBN:0571113834</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=826</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0571113834.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Pye, Michael.<br /> London Faber and faber 1979 .<br /> 273 0571113834 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=826">Place hold on <em>(The) Movie brats</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=826</guid> </item> <item> <title> The altering eye : contemporary international cinema </title> <dc:identifier>ISBN:0195033027</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=836</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0195033027.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Kolker, Robert Phillip..<br /> Oxford [Oxfordshire] | New York : Oxford University Press, 1983 .<br /> 428 p. , Includes index. 22 cm..<br /> 0195033027 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=836">Place hold on <em>The altering eye :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=836</guid> </item> <item> <title> (A) History of narrative film </title> <dc:identifier>ISBN:0393968197</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=843</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0393968197.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Cook, David A. .<br /> U. S. A W. W. Norton &amp; company 1996 .<br /> 1087 , Includes index 0393968197 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=843">Place hold on <em>(A) History of narrative film</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=843</guid> </item> <item> <title> Special effects : the history and technique </title> <dc:identifier>ISBN:9780823084081</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=859</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0823084086.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Rickitt, Richard.<br /> United states Billboard books 2007 .<br /> 384 , Includes bibliography &amp; glossary 9780823084081 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=859">Place hold on <em>Special effects</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=859</guid> </item> <item> <title> (The) Oxford guide to film studies </title> <dc:identifier>ISBN:0198711158 (hardcover) | 0198711247 (pbk.)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1001</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0198711158.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> Oxford ; | New York : Oxford University Press, 1998 .<br /> xxii, 624 p. : 26 cm..<br /> 0198711158 (hardcover) | 0198711247 (pbk.) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1001">Place hold on <em>(The) Oxford guide to film studies </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1001</guid> </item> <item> <title> Italian cinema : from neorealism to the present </title> <dc:identifier>ISBN:0826412475 (pbk. : alk. paper)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1002</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0826412475.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Bondanella, Peter E..<br /> New York : Continuum, 2001 .<br /> xiii, 546 p. : 21 cm..<br /> 0826412475 (pbk. : alk. paper) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1002">Place hold on <em>Italian cinema </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1002</guid> </item> <item> <title> Mise-en-scene : film style and interpretation </title> <dc:identifier>ISBN:9781903364062</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1279</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/190336406X.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Gibbs, John.<br /> Great Britain Wallflower 2007 .<br /> PB , Includes index &amp; bibliography 9781903364062 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1279">Place hold on <em>Mise-en-scene</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1279</guid> </item> <item> <title> Italian neorealism : rebuilding the cinematic city </title> <dc:identifier>ISBN:9781904764489</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1280</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1904764487.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Shiel, Mark.<br /> Great Britain Wallflower 2006 .<br /> 142 , Includes index and bibliography 9781904764489 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1280">Place hold on <em>Italian neorealism</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1280</guid> </item> <item> <title> (The) Star system : hollywood's production of popular identities </title> <dc:identifier>ISBN:9781903364024</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1281</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1903364027.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Paul, McDonald.<br /> Great Britain Wallflower 2005 .<br /> 129 , Includes filmography &amp; index 9781903364024 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1281">Place hold on <em>(The) Star system </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1281</guid> </item> <item> <title> Sound theory, sound practice / </title> <dc:identifier>ISBN:9780415904575</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2548</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0415904579.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> New York : Routledge, 1992 .<br /> 291 p. : , Includes index 24 cm..<br /> 9780415904575 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2548">Place hold on <em>Sound theory, sound practice /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2548</guid> </item> <item> <title> Sound theory, sound practice / </title> <dc:identifier>ISBN:9780415904575</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2549</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0415904579.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> New York : Routledge, 1992 .<br /> 291 p. : , Includes index 24 cm..<br /> 9780415904575 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2549">Place hold on <em>Sound theory, sound practice /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2549</guid> </item> <item> <title> Picture composition for film and television / </title> <dc:identifier>ISBN:9780240516813</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2552</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0240516818.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Ward, Peter,.<br /> Oxford ; | Boston : Focal Press, 2003 .<br /> 261 p. : , Includes index 25 cm..<br /> 9780240516813 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2552">Place hold on <em>Picture composition for film and television /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2552</guid> </item> <item> <title> How to read a film : movies, media, and beyond : art, technology, language, history, theory / </title> <dc:identifier>ISBN:9780195321050 (pbk. : acidfree paper)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4860</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0195321057.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Monaco, James..<br /> Oxford ; | New York : Oxford University Press, 2009 .<br /> 729 p. : , Contents Introduction 1. Film as an art 2. Technology: Image and Sound 3. The Language of Film : Signs and Syntax 4. The shape of Film History 5. Film Theory: Form and Function 6. Media: In The Middle Of Things 7. Multimedia: The Digital Revolution Film and Media: A Chronology Reading About Film and Media: A Select Library Index 24 cm..<br /> 9780195321050 (pbk. : acidfree paper) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4860">Place hold on <em>How to read a film </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4860</guid> </item> <item> <title> Post-production and the invisible revolution of filmmaking : from the silent era to synchronized </title> <dc:identifier>ISBN:9781138588332</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=7216</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1138588334.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Larkin, George .<br /> London Routledge 2019 .<br /> xiv, 223 9781138588332 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=7216">Place hold on <em>Post-production and the invisible revolution of filmmaking </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=7216</guid> </item> <item> <title> Capturing digital media : perfection and imperfection in contemporary film and television </title> <dc:identifier>ISBN:9781501345869</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=7220</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1501345869.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Connelly, Thomas J. .<br /> New Delhi Bloomsbury academy 2019 .<br /> 186 9781501345869 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=7220">Place hold on <em>Capturing digital media </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=7220</guid> </item> <item> <title> Narrative of Indian cinema </title> <dc:identifier>ISBN:9789380607795</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=7536</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/9380607792.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> Delhi Primus Books 2009 .<br /> xx, 274 , Includes index 9789380607795 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=7536">Place hold on <em>Narrative of Indian cinema </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=7536</guid> </item> <item> <title> Benevolent Despotism of the western world in Blood Diamond </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=8855</link> <description> <![CDATA[ <p> By Mondal, Sumit Kr.<br /> Kolkata St.Xavier's University 2019 .<br /> 22p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=8855">Place hold on <em>Benevolent Despotism of the western world in Blood Diamond</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=8855</guid> </item> <item> <title> Authorial postionality : establishing identity through the negotiation of history and memory in Maus and Persepolis </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=8862</link> <description> <![CDATA[ <p> By Chatterjee, Sharmistha.<br /> Kolkata St.Xavier's University 2019 .<br /> 29p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=8862">Place hold on <em>Authorial postionality</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=8862</guid> </item> <item> <title> Changing direction : a practical approach to directing actors in film and theatre / </title> <dc:identifier>ISBN:9781138490826 (pbk)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=9863</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1138490822.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By DeKoven, Lenore,.<br /> New York Routledge 2019 .<br /> 199p. , Includes index. 9781138490826 (pbk) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=9863">Place hold on <em>Changing direction :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=9863</guid> </item> <item> <title> Video color correction for non-linear editors : a step-by-step guide / </title> <dc:identifier>ISBN:0240805151 (pbk. : alk. paper)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=9875</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0240805151.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Jones, Stuart Blake,.<br /> Oxford ; | Boston : Focal Press, 2003 .<br /> x, 196 p. : , includes index 24 cm. +.<br /> 0240805151 (pbk. : alk. paper) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=9875">Place hold on <em>Video color correction for non-linear editors :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=9875</guid> </item> <item> <title> Cinema studies : the key concepts / </title> <dc:identifier>ISBN:9781138665767 (hbk) | 9781138665774 (pbk)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10067</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1138665762.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Hayward, Susan,.<br /> New York Routledge 2023 .<br /> xiv, 615 pages ; , includes index 23 cm.<br /> 9781138665767 (hbk) | 9781138665774 (pbk) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10067">Place hold on <em>Cinema studies :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10067</guid> </item> <item> <title> The Routledge encyclopedia of film theory / </title> <dc:identifier>ISBN:97811388495150</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10068</link> <description> <![CDATA[ <p> New York Routledge 2015 .<br /> xl, 526 pages ; , includes index 26 cm.<br /> 97811388495150 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10068">Place hold on <em>The Routledge encyclopedia of film theory /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10068</guid> </item> <item> <title> Directory of bengali films (1917-2017) </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10892</link> <description> <![CDATA[ <p> Kolkata 2018 .<br /> 684p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10892">Place hold on <em>Directory of bengali films (1917-2017)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10892</guid> </item> <item> <title> Picture composition for film and television / </title> <dc:identifier>ISBN:0240516818 (pbk.)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11258</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0240516818.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Ward, Peter,.<br /> Oxford ; | Boston : Focal Press, 2003 .<br /> xiv, 261 p. : , Previous ed.: 1996. 25 cm..<br /> 0240516818 (pbk.) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11258">Place hold on <em>Picture composition for film and television /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11258</guid> </item> <item> <title> Motion picture and video Lighting : For cinematographers, gaffers, and lighting technicians </title> <dc:identifier>ISBN:9781032370347</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11288</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1032370343.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Brown, Blain .<br /> New York Routledge 2024 .<br /> xii, 328 9781032370347 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11288">Place hold on <em>Motion picture and video Lighting </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11288</guid> </item> </channel> </rss>
