| 000 | 01198nam a22002177a 4500 | ||
|---|---|---|---|
| 999 |
_c4484 _d4484 |
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| 005 | 20190710121322.0 | ||
| 008 | 190520b xxu||||| |||| 00| 0 eng d | ||
| 020 |
_a9789351500315 _c995 |
||
| 040 | _aS.X.U.K | ||
| 041 | _aBengali | ||
| 082 |
_a791.430232092 _bKUM(BRA) |
||
| 100 | 1 | _aKumar, Nirmal | |
| 245 | 1 |
_aBrave new Bollywood _b: in conversation with contemporary Hindi filmmakers _cby Nirmal Kumar and Preeti Chaturvedi |
|
| 260 |
_aNew Delhi _bSAGE Publications _c2014 |
||
| 300 | _aXVII, 272 p. | ||
| 500 | _aTable of contents: 1. Of Milieu, Technique and the Dialectic of Anti-dumb Cinema - Dibakar Banerjee 2. The Personal as the Voyeur - The Aesthetics of Meaning - Kiran Rao 3. Collaboration and Commerce - treading the Thin Line - Reema Kagti 4. Urban and Unapologetic - The cinema of Zoya Akhtar - Zoya Akhtar 5. Loss and Survival - The Cinema of meaning - Shonali Bose 6. Content as King- How stories create Filmmakers - Anusha Rivzi 7. The Politics at the Margins - Being an Alternative Filmmaker in Bollywood - Onir | ||
| 650 | _aMOTION PICTURE | ||
| 650 | _aMOTION PICTURE PRODUCERS AND DIRECTORS | ||
| 700 |
_4auth. _aChaturvedi, Preeti |
||
| 942 | _cLAW | ||