| 000 | 01000nam a22002057a 4500 | ||
|---|---|---|---|
| 999 |
_c5014 _d5014 |
||
| 005 | 20200625163212.0 | ||
| 008 | 200625b xxu||||| |||| 00| 0 eng d | ||
| 020 |
_a9780520242272 _c1890.00 |
||
| 040 | _aS.X.U.K | ||
| 041 | _aEnglish | ||
| 082 |
_aR 791.43 _bBAZ(WHA)V.1 |
||
| 100 | _aBazin, Andre | ||
| 245 |
_aWhat is cinema? volume i _cAndre Bazin; foreword by Jean Renoir; new foreword by Dudley Andrew; essay selected and translated by Hugh Gray |
||
| 260 |
_aLondon _bUniversity of california _cc2005 |
||
| 300 |
_a183p _bPB. |
||
| 500 | _aIntroduction The Ontology of the Photographic Image The Myth of Total Cinema The Evolution of the Language of Cinema The Virtues and Limitations of Montage In Defense of Mixed Cinema Theater and Cinema Part One Part Two Le Journal d'un cure de campagne and the Stylistics of Robert Bresson Charlie Chaplin Cinema and Exploration Painting and Cinema Notes Index | ||
| 650 | _aMotion picture | ||
| 700 |
_4tr. _aGray, Hugh |
||
| 942 | _cREF | ||